New Yorker - December 2005

 
"Trapped by the Mormons plays for high artistic stakes -- for who has not at some time been possessed by love, religion, or some other passionate delusion? Allen and his D.C.-based theatre company, Cherry Red, prove that the silent cinema derives its deepest inspiration from dance; the startling gesture repertoire with which Allen invests his performers makes even a faked resurrection seem true to life."

 

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