HAM/THELLO: the moor of denmark
copyright © 2006 Jeff Goode
ACT II - The Handkerchief
SCENE 1 - Before Ophelia's house.
Enter HAMLET
HAMLET
Hillo, ho, ho, my sweet! I do beseech you
That I may speak with you! How now, Ophelia!
Enter CLOWN
CLOWN
How, sir, how!
What, have you lost your wits?
HAMLET
Dost thou hear, my honest friend?
CLOWN
No, I hear not your honest friend; I hear you.
HAMLET
Prithee, keep up thy quillets. There's a poor piece of gold for thee: if the gentlewoman that
attends the general's wife be stirring, tell her there's one Hamlet entreats her a little favour of
speech: wilt thou do this?
CLOWN
She is stirring, sir: if she will stir hither, I shall seem to notify unto her.
HAMLET
Do, good my friend.
CLOWN
Before me! look, where she comes.
Enter OPHELIA.
OPHELIA
What, are you mad? I charge you, get you home.
HAMLET
Hail to thee, lady! and the grace of heaven,
Before, behind thee, and on every hand,
Enwheel thee all around!
OPHELIA
The worser welcome:
I have charged thee not to haunt about my doors:
In honest plainness thou hast heard me say
That I am not for thee; and now, in madness,
Being full of supper and distempering draughts,
Upon malicious bravery, dost thou come
To start my quiet.
HAMLET
Patience, good maid.
OPHELIA
But thou must needs be sure
My spirit and my place have in them power
To make this bitter to thee.
Draws her rapier
HAMLET
Yet, I beseech you,
If you think fit, or that it may be done,
Give me advantage of some brief discourse
With Desdemona alone.
HAMLET gives her a pair of letters.
Here's letters seal'd:
This to her majesty; this to yourself.
OPHELIA takes the letters and thrashes him with
them.
OPHELIA
Nay, get thee gone.
By the mass, 'tis morning;
Retire thee; go where thou art billeted:
Away, I say!
[to CLOWN] Come, guard the door without; let him not pass,
Exit OPHELIA and CLOWN
Enter IAGO
HAMLET
In happy time, Iago.
IAGO
You have not been a-bed, then?
HAMLET
Why, no; the day had broke
Before we parted.
I have made bold, Iago,
To send in to your daughter: my suit to her
Is, that she will to virtuous Desdemona
Procure me some access.
There is no other way; 'tis she must do't:
IAGO
Do you withdraw yourself a little while,
I'll send her to you presently:
She will obey.
Exit HAMLET
Two things are to be done:
My daughter must for Hamlet move her mistress;
I'll set her on;
Myself the while to draw the Moor apart,
And bring him jump when he may Hamlet find
Soliciting his wife: ay, that's the way
Dull not device by coldness and delay.
Calls within
How now, Ophelia! what's the matter?
Re-enter OPHELIA
OPHELIA
My lord, as I was studying my rapier
Lord Hamlet, with his doublet all unbraced;
As if he had been loosèd out of hell
To speak of horrors,--he comes before me.
LORD POLONIUS
Mad for thy love?
OPHELIA
My lord, I do not know;
But truly, I do fear it.
Gives him the letters
Here is a letter;
And here another: the one of them imports
His noble love in honourable fashion.
IAGO
Ay, fashion you may call it; go to, go to.
This is the very ecstasy of love,
Whose violent property fordoes itself
And leads the will to desperate undertakings
Come, go with me: I will go seek the king.
This must be known; which, being kept close, might move
More grief to hide than hate to utter love.
Fetch Desdemona hither. The affair cries haste,
And speed must answer it.
Bid her come hither: go.
OPHELIA
I will, my lord.
Exit OPHELIA
IAGO reads over the letters
IAGO
Words, words, words.
This is too long.
It shall to the barber's:
Tears the letter in half
Now here's another discontented paper:
Examines the second letter
I'll tear it all to pieces.
Tears the letters to pieces
I confess it is my shame to be so rash; but it is in my virtue to amend it.
Pieces the letter back together again, in a different
order.
Devise a new commission, write it fair:
The task completed, IAGO admires his creation.
O, 'tis most sweet,
When in one line two crafts directly meet.
And this may help to thicken other proofs
That do demonstrate thinly.
Exit
Forth!
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Act One //
Act Two //
Act Three //
Act Four //
Act Five