HAM/THELLO: the moor of denmark
                                                         copyright © 2006 Jeff Goode
ACT III - The Play-Within-The-Play SCENE 1 - A room in the castle. Enter HAMLET, HORATIO and MARCELLUS. HAMLET idly toys with his new-found handkerchief. HAMLET I have of late--but wherefore I know not--lost all my mirth, man delights not me: no, nor woman neither, though by your smiling you seem to say so. MARCELLUS My lord, there was no such stuff in my thoughts. HAMLET Why did you laugh then when I said 'man delights not me'? MARCELLUS To think, my lord, if you delight not in man, what lenten entertainment the players shall receive from you: Iago coted them on the way; and hither are they coming, to offer you service. HAMLET He that plays the king shall be welcome; his majesty shall have tribute of me; the adventurous knight shall use his foil and target; the lover shall not sigh gratis; the humourous man shall end his part in peace; the clown shall make those laugh whose lungs are tickled o' the sere; and the lady shall say her mind freely, or the blank verse shall halt for't. What players are they? MARCELLUS Even those you were wont to take delight in, the tragedians of the city. HAMLET The best actors in the world, either for tragedy, comedy, history, pastoral, pastoral-comical, historical-pastoral, tragical-historical, tragical-comical-historical-pastoral, scene individable, or poem unlimited: Seneca cannot be too heavy, nor Plautus too light. For the law of writ and the liberty, these are the only men. Flourish of trumpets within MARCELLUS There are the players. HORATIO Snatches HAMLET's handkerchief from him Lord Hamlet, whence came this? Tosses the handkerchief to MARCELLUS MARCELLUS This is some token from a newer friend. HORATIO Is't come to this? Well, well. HAMLET Go to, go to! Takes back his handkerchief. Throw your vile guesses in the devil's teeth, From whence you have them. You are jealous now That this is from some mistress. MARCELLUS Why, whose is it? HAMLET I know not, sir: I found it in my chamber. I like the work well: ere it be demanded-- As like enough it will--I'ld have it copied. HORATIO A likely piece of work, that you should find it in your chamber, and not know who left it there! Enter IAGO IAGO The actors are come hither, my lord. Enter four or five PLAYERS, among them, BIANCA as the PLAYER QUEEN HAMLET You are welcome, masters; welcome, all. I am glad to see thee well. Welcome, good friends. O, my old friend! thy face is valenced since I saw thee last: comest thou to beard me in Denmark? What, my young lady and mistress! By'r lady, your ladyship is nearer to heaven than when I saw you last, by the altitude of a chopine. Pray God, your voice, like a piece of uncurrent gold, be not cracked within the ring. Masters, you are all welcome. Good my lord, will you see the players well bestowed? Do you hear, let them be well used; for they are the abstract and brief chronicles of the time: after your death you were better have a bad epitaph than their ill report while you live. IAGO Come, sirs. HAMLET Follow him, friends: we'll hear a play to-morrow. Exit IAGO with all the PLAYERS but the FIRST Dost thou hear me, old friend; can you play the Murder of Gonzago? FIRST PLAYER Ay, my lord. HAMLET We'll ha't to-morrow night. You could, for a need, study a speech of some dozen or sixteen lines, which I would set down and insert in't, could you not? FIRST PLAYER Ay, my lord. HAMLET Very well. Follow that lord; and look you mock him not. Exit FIRST PLAYER I have heard That guilty creatures sitting at a play Have by the very cunning of the scene Been struck so to the soul that presently They have proclaim'd their malefactions; For murder, though it have no tongue, will speak With most miraculous organ. I'll have these players Play something like the murder of my father Before Othello: I'll observe his looks; I'll tent him to the quick: if he but blench, I know my course. The spirit that I have seen May be the devil: and the devil hath power To assume a pleasing shape; yea, and perhaps Out of my weakness and my melancholy, As he is very potent with such spirits, Abuses me to damn me: I'll have grounds More relative than this: the play 's the thing Wherein I'll catch the conscience of the king. Exit

Forth!

Act One // Act Two // Act Three // Act Four // Act Five