HAM/THELLO: the moor of denmark
copyright © 2006 Jeff Goode
ACT III - The Play-Within-The-Play
SCENE 1 - A room in the castle.
Enter HAMLET, HORATIO and MARCELLUS. HAMLET idly toys with his new-found
handkerchief.
HAMLET
I have of late--but wherefore I know not--lost all my mirth, man delights not me: no, nor
woman neither, though by your smiling you seem to say so.
MARCELLUS
My lord, there was no such stuff in my thoughts.
HAMLET
Why did you laugh then when I said 'man delights not me'?
MARCELLUS
To think, my lord, if you delight not in man, what lenten entertainment the players shall
receive from you: Iago coted them on the way; and hither are they coming, to offer you
service.
HAMLET
He that plays the king shall be welcome; his majesty shall have tribute of me; the
adventurous knight shall use his foil and target; the lover shall not sigh gratis; the
humourous man shall end his part in peace; the clown shall make those laugh whose lungs
are tickled o' the sere; and the lady shall say her mind freely, or the blank verse shall halt
for't. What players are they?
MARCELLUS
Even those you were wont to take delight in, the tragedians of the city.
HAMLET
The best actors in the world, either for tragedy, comedy, history, pastoral, pastoral-comical,
historical-pastoral, tragical-historical, tragical-comical-historical-pastoral, scene individable,
or poem unlimited: Seneca cannot be too heavy, nor Plautus too light. For the law of writ
and the liberty, these are the only men.
Flourish of trumpets within
MARCELLUS
There are the players.
HORATIO
Snatches HAMLET's handkerchief from him
Lord Hamlet, whence came this?
Tosses the handkerchief to MARCELLUS
MARCELLUS
This is some token from a newer friend.
HORATIO
Is't come to this? Well, well.
HAMLET
Go to, go to!
Takes back his handkerchief.
Throw your vile guesses in the devil's teeth,
From whence you have them. You are jealous now
That this is from some mistress.
MARCELLUS
Why, whose is it?
HAMLET
I know not, sir: I found it in my chamber.
I like the work well: ere it be demanded--
As like enough it will--I'ld have it copied.
HORATIO
A likely piece of work, that you should find it in your chamber, and not know who left it
there!
Enter IAGO
IAGO
The actors are come hither, my lord.
Enter four or five PLAYERS, among them, BIANCA as the PLAYER QUEEN
HAMLET
You are welcome, masters; welcome, all. I am glad to see thee well. Welcome, good friends.
O, my old friend! thy face is valenced since I saw thee last: comest thou to beard me in
Denmark? What, my young lady and mistress! By'r lady, your ladyship is nearer to heaven
than when I saw you last, by the altitude of a chopine. Pray God, your voice, like a piece of
uncurrent gold, be not cracked within the ring. Masters, you are all welcome.
Good my lord, will you see the players well bestowed? Do you hear, let them be well used;
for they are the abstract and brief chronicles of the time: after your death you were better have
a bad epitaph than their ill report while you live.
IAGO
Come, sirs.
HAMLET
Follow him, friends: we'll hear a play to-morrow.
Exit IAGO with all the PLAYERS but the FIRST
Dost thou hear me, old friend; can you play the Murder of Gonzago?
FIRST PLAYER
Ay, my lord.
HAMLET
We'll ha't to-morrow night. You could, for a need, study a speech of some dozen or sixteen
lines, which I would set down and insert in't, could you not?
FIRST PLAYER
Ay, my lord.
HAMLET
Very well. Follow that lord; and look you mock him not.
Exit FIRST PLAYER
I have heard
That guilty creatures sitting at a play
Have by the very cunning of the scene
Been struck so to the soul that presently
They have proclaim'd their malefactions;
For murder, though it have no tongue, will speak
With most miraculous organ. I'll have these players
Play something like the murder of my father
Before Othello: I'll observe his looks;
I'll tent him to the quick: if he but blench,
I know my course. The spirit that I have seen
May be the devil: and the devil hath power
To assume a pleasing shape; yea, and perhaps
Out of my weakness and my melancholy,
As he is very potent with such spirits,
Abuses me to damn me: I'll have grounds
More relative than this: the play 's the thing
Wherein I'll catch the conscience of the king.
Exit
Forth!
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Act Five